transmediale.09 DEEP NORTH

Looking beyond the alarmist scenarios of environmental, social and economic catastrophes to be expected in the wake of global warming, the essential question isn't that of how to avoid these processes, but to examine the need for a fundamental shift in cultural perception with respect to nature, culture and technology. With DEEP NORTH, transmediale.09 focused on the impact and unavoidable consequences of this pending global transformation - the crossing of a point of no return akin to the fall of the Berlin Wall 20 years ago.

In this global collaborative work, tm.09 and artist Perry Bard invite you to capture video footage and images interpreting the original script of Vertov’s masterpiece and upload them to http://dziga.perrybard.net/. Software developed specially for the project archives sequences and then streams different combinations of the submissions, thus creating a global montage or, in Vertov’s terms, the “decoding of life as it is”.

January 28, 2009 - February 1, 2009

transmediale's 2009 award exhibition presents a spectrum of artistic positions, inquiries and responses to the multifacetted, and often contradictory scenarios of climate change. Will the melting of the polar ice-caps lead to an emergency situation in which survival is paramount? Beyond the spectre of a world knocked out of climatic control by our collective lack of foresight, the exhibition explores the symptoms, contexts and possible futures of a seemingly imperceptible yet fundamental change.

transmediale.09 has selected 4 art works highlighting online digital, participative and network community practice in addition to the works on display at the House of World Cultures or at our partner venues in Berlin. The works are presented exclusively online as a special virtual extension to DEEP NORTH ...

Format:
installation interactive

Field Notes: Cocoons creates a portable squatting device made from shared, free or hacked materials. It is a simple structure that folds into a back pack

Format:
installation

Non Machines in gallery [DAM]Berlin
Exhibition: Jan 27 - Feb 7, 2009

The NON-Machines are software applications, which direct the attention towards aspects of deceleration, disconnectivity, knowledge deprivation, agrammaticality, non-functionality.

Format:
installation

The video metaphorically embodies the 'lost in space' condition experienced by young foreigners living in Berlin. It is characterised by a lack of stable bonds, like job and family, and is represented by a mass of people floating around in the middle of the ocean, all supported by their own tire-tubes. The protagonists start gazing at each other with looks of jealousy and deep sarcasm.

Format:
installation interactive

Corpora in Si(gh)te
at .CHB - Collegium Hungaricum Berlin
Jan 27 - Mar 8
opening: Jan 26, 19:00

Architecture as an environmental, spatial measuring machine Architecture is an intelligent corpus, a reflection of the environment surrounding itself. The information technology of Corpora in Si(gh)te by doubleNegative Architecture has maintained the mutality between architecture and environment in a virtual way through continuous spatial measurements, reflecting what C.i.S architecture believes to be the core principle of architecture.

Format:
installation

The project belongs to a group of works which deal with landscapes and their perception and description.

Format:
installation

A city scale light installation onto the ultimate icon of industrial pollution...  The project Nuage Vert is based on the idea that public forms can embody an ecological project, materialising environmental issues so that they become a subject within our daily lives.

Format:
photography

Trilogy comprises three projects that deal with the themes of territories and states. Using fruit color and fabric, Evaristti coloured an ice cube in Greenland, areas of Mont Blanc and a sand dune in the Sahara, red.

Format:
installation

In der Installation Barons beschäftigt sich Sebastjan Leban mit dem erschwertem Zugang zu Trinkwasser.

Format:
installation

 

Format:
installation

The video installation Doors was the result of Nan Hoover´s 1980 grant from DAAD.

Format:
installation

The video installation inverse square is part of Alice Miceli´s ongoing 'Chernobyl Project'. It is a conceptual view on the exploded reactor No. 4 at the Chernobyl Nuclear Power Plant and the exponential dynamics created by radioactive contamination in the Chernobyl Exclusion Zone.

Format:
installation

The video installation remoteness is based on images taken by a webcam, installed in a remote village of 800 inhabitants in the extreme north of Iceland near the Arctic Polar Circle.

Format:
installation

The interactive video and sound installation AMUNDSEN / I-landscape is part of Jan-Peter Sonntag´s series 'almost cinema works'.

Format:
installation

In the work Ambiguous Signalscapes, through the act of looking, viewers create and then directly interact with a stream of data.

Format:
performance

specialità di silicio is a performance that Urs Dubacher developed in 2007 as part of his diploma thesis at the Zurich University of the Arts (ZHdK).

Format:
installation

The Sonic Antarctica project is a radio broadcast, live performance and sound and visual installation featuring recordings of the Antarctic soundscape made during the author's seven-week National Science Foundation residency in Antarctica during the 2007/2008 season.

Format:
installation

Time Slip is based on computer software developed by Antoine Schmitt that transforms the news broadcasted by official news agencies.

Click & Glue consists of four metal walls hanging from the ceiling that define a space in which a balloon filled with helium moves and floats through the air. The balloon is connected to a nylon thread and a mechanism that distributes glue.

Grow - Fruits of Kronos is an installation that reflects on the connection and relationship between machine and nature. The work consists of a machine controlled by a certain algorithm that changes the position of a plant in relation to a static light source.

The Poster Children is a suite of animated, multi-monitor pieces influenced by the narrative and cartoon-like formats of Asian screen and scroll paintings.

Beyond the End - The Polar Project comprises of a series of video installations and photographs based on material filmed in Upernavik Isfjord, Greenland, north of the Arctic Circle.

Format:
installation

Reynolds’s video installation Six Apartments is a poetic narration of resignation and decline which documents the life of six people in their apartments. The inhabitants live isolated, unaware of each other, without drama – they eat, sleep, watch television – even though their lives are overshadowed by mass media generated problems of the larger world and the upcoming ecological crisis.

Nitta’s project takes current green trends to the extreme. The Extreme Green Guerillas are a network of amateur self-sustaining people who have shortened their lifespan through the ultimate green lifestyle.

The telephone-installation is a memorial to the more than 3 million people who have perished in the complex wars that have gone on in the Congo since 1998, often referred to as the 'Coltan Wars'. The ore coltan is used as the raw material for the metal tantalum, which is an essential component of mobile phones and computers.

This interactive multimedia installation consists of a two-channel projection and shows infrared images of the North Sea as a post-apocalyptic landscape that the observer can only see by using a night-vision device.

The video artist Perry Bard invites people to a collaborative web-based, database-generated montage experiment.

The project 'NomadicMILK' compares the distribution and sales strategies of two very different milkproduct-merchands in Nigeria. With the help of GPS systems, the driveways of the as nomads living 'Fulani' are reconstructed and compared to those of an active enterpreneurial milk producer, called 'PEAK milk'.