The viewer roams around desolate flats in a Polish village by way of extended tracking shots. The people look strangely unreal in this mix of photographic portraits and tableaux vivants.

Join MSHR's Birch Cooper and Brenna Murphy in a ritualistic post-digital feedback invocation where the holistic alternates with the rhizomatic and cybernetics merge with low-tech.

Utopia is a silent double slide projection with 160 handmade slides in two Kodak Carousel magazines. They will be presented as a loop in the Auditorium of the HKW.

Billboard advertising has been severely restricted in Greece since 2010. The naked scaffolds that remain in the wake of the crisis can be found across the country, presenting viewers with empty surfaces.

ArtUP! is a platform for media art in Bulgaria, Greece and Turkey. It fuels discussion about society, presents and links up artists, presents media artworks, curates exhibitions, and initiates workshops.

On this day, participants from the Art Hack Day Berlin : Afterglow will give artists talks and show performances.

This programme addresses fears of rejection, marginalisation and loss of identity. | With works from Hearst Metrotone News, Tom Palazzolo & Jeff Kreines, Whitney Johnston, Thomas Haley, Cory Arcangel.

Do you feel out of place? Do you feel uncomfortable in this system? Don't think you are different. Know you are. Declare yourself not human to take away from the template.

We demand meaning and consistency from the cultural products we consume and this program is designed as a crude rebellion against this comfortable idea that there are objective “standards” of any kind and that we have a right to expect “good taste.” ...

The Creatures is an endless combination of living members/ apparatuses, composed by miniature robots that live autonomously, receiving energy from solar cells and generating a variety of soft sounds and tiny movements.

Rotten digital body narratives from a cinema genre to a model of big data analysis in social media platforms

Jamie Allen and David Gauthier present their project CRITICAL INFRASTRUCTURE and invite for responses. Baruch Gottlieb's response is entitled Remarking Unremarkable and will be followed by the one by Erin La Cour: Invisible Labor: Instituting Cultural Capital.

What does blackening out mean in the context of urban screens and what goes lost after the sudden shut-down and restart? How to find ways to restore or rethink information after this severe blackout? – a panel discussion with the CC artists, curators and the transmediale visitors.

What actually happens to all the pictures we constantly take of ourselves after we’re dead? | With works by Jesse McLean, Karin Fisslthaler, Sergio Oksman, John Smith, Bjørn Melhus, Tasman Richardson

Elevating the invisible void with a silent glow, Hyper Transmission is a synthesis of surrounding soundscape and visual contemplation.

Metahaven and Benjamin Bratton will take turns offering proposals on the future of The Stack's six layers—Earth, Cloud, City, Address, Interface, and User.

Disclosing the invisible data and information underneath biological science, scientific laboratory research and our body.

Join MSHR's Birch Cooper and Brenna Murphy in a ritualistic post-digital feedback invocation where the holistic alternates with the rhizomatic and cybernetics merge with low-tech.

Artists and designers transferred immaterial matters to tangible objects. How does this correlate with the simultaneous process of making computers invisible?

When billboards and advertising screens are the first to be unplugged after earthquakes, it again becomes evident, how those are only being used for commercial content. How can screens and media façades then become platforms for artistic and cultural interventions in urban space?

The event asks how to formulate research questions, research methods, and research dissemination under post-digital conditions. How does the post-digital become a research topic? 

Baruch Gottlieb and the transmediale 2014 residency artists Jamie Allen and David Gauthier will analyse the artists’ understanding of “infrastructure critique” attempting to elaborate the connections with and departures from McLuhan’s concept of “Media.”

On contemporary Netporn models and its independent answers.

Rosemary Lee, artist in residence for the Vilém Flusser Residency Programme for Artistic Research 2014, will talk about her work.

Digital Plays is playfully and ironically dedicated to the cinematic fiction that so often—and usually unintentionally—ends up in the Trash. | With works by Elizabeth Vander Zaag, Ella Raidel, Ho Tzu Nyen, Neïl Beloufa, Keren Cytter, Beatrice Gibson

Computers know us more intimately than lovers — but this is a lopsided relationship. What do we know of the operating systems that drive our daily fix?

Luke Fischbeck and Sarah Rara a.k.a. Lucky Dragons will premiere a new version of their intermedial work that began life as a simple Google search on the words “Actual reality”. In this piece, the duo will collaborate with Berlin-based guest musicians.

Nation Estate is a Sci-Fi short offering a clinically dystopian, yet humorous approach to the deadlock in the Middle East...

The Internet Yami-Ichi (Black Market*) is a flea market which deals with "Internet-ish" things, face-to-face, in actual space. Both flea markets and the Internet are fanatical and chaotic mixes of the amazing and useless.

Remembering How to Dream: Structural Politics and Networked Consent

We upcycle old remote control units into electronic musical instruments.

PORN / WASTE – engaging the materials of digital pornography and techno-consumption.

Almost all works by Luther Price are handmade films, films that put together from the remnants of other films... | With works from Luther Price

Desktop BAM is a performance piece entailing controlling a mouse cursor to play on desktops. It's a direct homage to turntablism, born from using turntables in unconventional ways.

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