Sylvie Earle, explorer and oceanographer, says Earth is a misnomer and the planet should be called the Ocean. Oceans are the life support system of the planet as well as its salty wombs. The ancient ocean, the primordial soup, gave birth to the very first organic molecules and was brimming with prehistoric living organisms. That was four billion years ago. Today the composition of oceans is undergoing a dramatic change where synthetic molecules are taking over.
Taiwan can be viewed as a microcosm of a world history that has led to today’s globalized reality. Schizophrenia Taiwan 2.0 focuses on the digital revolution in the work of young Taiwanese new media artists, born between the eras of color TV and smart phones in a country that manufactures 80% of the world’s electronic goods. They are fully aware of the risks and the potential of globalization and cybernetics, and their artworks embody in depth research on the relationships between humans and machines. www.schizotaiwan.net
Did the future look better in the past? Today, has the future already turned into the past? Or is it perhaps that nowadays the past seems almost blissful compared to the present in which we actually live? What concepts of the future exist in times of social, economic and political crisis, in times of spreading poverty, corruption and mistrust towards democratic processes? Do visions of a better future exist at all? Or have we already caught up with our blooming future visions and dumped them in the dustbin of history?
Take the opportunity to experience some of Berlin's best experimental arts, interventions, music and sound in this unique pre-festival programme! transmediale and CTM's Vorspiel is a programme of distributed partner events, where a variety of partner venues invite local and international audiences to a series of exhibition openings, performances, interventions, artist talks and special events across the city of Berlin. The Vorspiel is coordinated by the reSource transmedial culture berlin. Read more.
The performance programme of transmediale is focusing on audiovisual and intermedial pieces which defy any strict genre categorisation. For transmediale 2014, the main focus is on performances that convey the experiential side of the afterglow thematic...
Artist-researchers Jamie Allen and David Gauthier, in collaboration with transmediale 2014, present CRITICAL INFRASTRUCTURE, a media-technical landscape survey. The landscape/architectural survey allows direct observation, revealing the materials and systems that allow media arts, media artists, festivals and venues to exist and persist. An on-site inspection of transmediale 2014 afterglow is undertaken.
Whistleblowers, hackers, artists and activists get into dialogue to reflect on the art of disclosure, as a strategy of awareness and a modality to expose hidden bugs in the socio-political systems. Can we imagine a sustainable way to act in the digital info-sphere? Is it still possible to claim: “Information wants to be free”?
This stream offers insights into waste and mines, data and hardware—the long tails of unintended consequences—in a way that entangles issues of labour, geopolitics, economics, media and the Earth into a weird planetary constellation.
transmediale is involving you in this post orgasmic moment as a different and new reading of bodies and sexuality in a post-digital momentum. TRASHURE, as the hybrid name informs sliding between trashes and treasures, explores trans-cultural geographies of sexualities.
What does it mean to speak about digital culture today, and what are the implications of the term post-digital? The conference takes afterglow as a metaphor for the present condition of digital culture, examining the geopolitical, infrastructural and bodily consequences of the excessive digitisation that has taken place over the course of the last three decades.