In times of political turmoil an effigy of the offending 'other' is publicly burnt. This ritualistic murder by proxy is often transmitted by video for the world to see. Nobody has burnt an effigy of themselves, until now... To burn an effigy of a hated other has become...
A very widespread but underappreciated form of exhibiting pictures is their presentation by human hands. This literal carrying of pictures by bodies often takes place in situations where, at the same time, pictures are produced of this very thing. The resulting multiple framings of the pictures create...
Something is about to explode: Zayan and Abedeen break out in a rhapsodic percussive dialogue, seizing the power of a popular life on the brink of implosion. Charged and charging, the deliberate performance in the absence of their instruments transpose pathos and agency. The video has best been described as ‘part-tribute, part-elegy’ to Egypt’s population of eighty million people.
A near-documentary take of the Giza Zoo, opened to the public in 1891. An early jewel of modernization in Egypt's capital city, the zoo marks a nostalgic last vestige of the agricultural hinterlands that once surrounded Cairo. The transformation of public space...
A clip of footage of a hotel-room TV, during the artist's visit to Egypt. A famous Egyptian actress is re-captured, re-edited, in a sequence of close-ups, placed in cuts and repetition, in a contemplative conversation with herself. Accompanied by a piano soundtrack, the displaced emotional pathos extracted from this meditative scene is interrupted by the appearance of identical twins, who look at each other concealing an ominous expression.
On text, love, recording and writing, Tomorrow Everything Will Be Alright features an exchange between two lovers over the course of an evening. A story of longing unfolds between two people, on the last sunset of the millennium, encapsulating the intensity of a private conversation, the unsettling nature of communicating, approaching understanding, and what is implied within a script.
The artist films his father while re-enacting Diogenes the Cynic's philosophical stunt, in which he wanders around an arid landscape with a lit lamp in daytime, claiming to look for an honest man. The film is shot on an open site with unfinished glass buildings, insignia of the new architectural prototypes of the New Cairo, a rising city on the outskirts, complete with archaeological finds, stray dogs and fake palm trees. The re-enactment is set to the sound of a raging thunderstorm.
Issa invents a character that describes a city, which is never named. The video, composed of the narrator’s text and public domain landscape images, emerges from the artist’s attempt to describe a personal relationship and a set of observations of a familiar location, searching...
What is going on in this video? Why is the woman peeling off the screen of her computer? And why is she filming it with her pink mobile phone? Is she...